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Un articolo di Gwendolyn DuBois Shaw sullo Smithsonian Magazine ripercorre la storia della parodia razziale in America.
Gosden stands at right, one hand gripping the lapel of a slightly rumpled suit coat worn over shabby, wide legged pants. A cigar is clamped tightly between his teeth and his free hand rests authoritatively on the shoulder of Brown, who dejectedly sits beside him on a barrel. Both men have covered their faces and hands with black makeup made of burnt cork, taking care to outline their lips in bright white paint, and each wears a wooly black wig that mimics an African American hair type. Gosden’s eyes peer haughtily down his nose from beneath the bowler hat that completes his all-business outfit of suitcoat, collared shirt and tie.
Immagine da Wikimedia Commons
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