Un articolo del Washington Post propone un ritratto (link alternativo) della cantante irlandese Sinéad O’Connor raccontandoci della sua infanzia, del suo legame con l’Irlanda e del suo rapporto con la religione e il mondo della musica.
Bray, Ireland — Sinéad O’Connor’s office is a glass, pentagon-shaped porch that’s also the entryway to her house. Most days, before the sun rises over the Irish Sea, she’ll be sitting there, smoking a cigarette, nursing a sugary cup of coffee or shuffling through her iPad. She may even pick up a guitar.
When the water ripples in the wind, the spot can be hauntingly beautiful, “Ulysses” sprung to life. Not that O’Connor, born just four stops up the train line in the Dublin suburb of Glenageary, feels particularly romantic about the setting.
“I f—ing hate living in Ireland,” she says. “My spiritual home is America. I know that my stork should have dropped me in America. But he got drunk in Dublin. It’s freezing, it’s miserable. Everything’s really expensive. I love America, but I can never leave Ireland. I wouldn’t leave my grandchildren or my children.”
There are four children, a pair of grandchildren, four ex-husbands and an ex-boyfriend, Frank, who lives a short walk down Strand Road with their son, Yeshua, 13. There is her father, a sister and three brothers, all within a drive. They know her not as the pop star who rose to fame singing “Nothing Compares 2 U,” but as a witty, compassionate, difficult, fearless, playful and unpredictable woman who has struggled, personally and professionally, ever since she ripped up that photograph of the pope on “Saturday Night Live” in 1992. And they remember the last time O’Connor left home.
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