Su suggerimento di @Swanito de Pluff.

Michael Prodger racconta sul New Stateman l’arte del primo dopoguerra.

Nineteen-fourteen was not a propitious time to announce a new artistic movement. In July of that year, however, the first edition of the artistic-literary magazine Blast appeared, declaring the birth of vorticism. Once a great deal of flim-flam had been sifted through, what the movement amounted to was a repudiation of both Victorian values and Bloomsbury aesthetics, and instead an acclamation of modernity, the machine age and non-traditional representation.

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